I must admit that I originally began reading this short story based solely on its title and that said title’s similarity to the song, “In the Year 2525.” When I began reading, the preface notified the reader that this Jules Verne story was in fact not written by the great Nineteenth century French science fiction/fantasy author, but by his l’enfant terrible son, Michel, who occasionally wrote fiction but published it under his famous father’s name.
The prose is not entirely eloquent, but the intrigue is found in how Michel describes his version of the future. At times, it is both amusing and oddly prophetic. Like me, I’m sure anyone fond of The Jetsons will enjoy the pneumatic tubes which people travel by or the flying cars that line up at your window (or the very George Jetson automatic dressing machine you just step into).
“In the Year 2889” focuses on Mr. Fritz Napoleon Smith, an extremely wealthy newspaper magnate (apparently, in the distant future, newspapers are money makers with thousands of employees). He owns the Earth Chronicle that has 80,000,000 subscribers,
“Smith’s wealth went on growing, till now it reaches the almost unimaginable figure of $10,000,000,000.”
I wonder if the younger Verne would be disappointed in the state of newspapers in the year 2014. However, the newspapers of 2889 aren’t read: “Instead of being printed, the Earth Chronicle is every morning spoken to subscribers, who, in interesting conversations with reporters, statesmen, and scientists, learn the news of the day.”
Michel Verne uses what I assume is exacting technical language to give a futuristic feel to 2889. Besides being delivered by tubes and flying cars, there is a Skype of the future, which Mr. Smith uses quite frequently to speak with his wife when she’s away (“the transmission of images by means of sensitive mirrors connected by wires”–this is how I assume Skype works). The above image is an artist’s interpretation of their shared meal, even though he is in Centropolis (one must imagine this is what NYC is going by in the future) and she is in France.
There is an oddness to it all, however, in that phonographs are often used in 2889. Every subscriber of the Earth Chronicle has one. It’s so endearingly antiquated as it’s mashed into the future.
The story might not have the same pizzazz of an authentic Jules Verne story, but the imagination is there. It’s pretty marvelous to read what Michel Verne was coming up with in 1889. “In the Year 2889” is definitely worth a read and especially so, because it’s free in the public domain.