Federico García Lorca, Poet in New York

lorcaYou still have two days left to see the fantastic and free exhibition at the New York Public Library dedicated to Spanish poet Federico García Lorca’s time he spent in NYC in 1929. Since April, a celebration of the writer has been going on in NYC. If you are unable to visit the exhibition, the Lorca in NY website is a plethora of illuminating images and information (the interactive map is worth a click alone but prepared to be distracted from any other business you were conducting–you were warned!).

The Lorca exhibition focuses on his time spent in NYC. He initially came to the US to study English at Columbia University but soon gave that up to work on his book of poetry. He communicated either in Spanish or in a less than stellar French. What I found most interesting about the exhibition was the fact that Lorca was so enthralled by Harlem. Usually, when reading works about Manhattan during this time period the lower part of the island gets the limelight with the upper neighborhoods being confined to the Harlem Renaissance. Lorca was a European who lived in a dormitory on Columbia’s campus. He was a hop, skip, and a jump a way from Harlem, a neighborhood that butts up against the university. He found friendship and inspiration from the people of Harlem and the neighborhood itself.

lorca2Besides having his words inspired by the city, the exhibition also exhibits Lorca’s artwork. It definitely had that Spanish Surrealism quality about it with its drooping figures and looping lines. Prior to his trip to NYC, Lorca was friends with Salvador Dali and Luis Bunuel who had criticized his earlier poetry as being too traditional.

The exhibition is a lovely mash of Lorca’s letters to his family in Granada, artwork, information about his time spent at Columbia and NYC in general, his friendships with different writers in the city, and the overall influence New York had on him.

The exhibition is titled, “Back Tomorrow.” When handing in his manuscript for Poet in New York, Lorca left a note with these words to his Madrid publisher. Unfortunately, “he never returned. Weeks later, at the outbreak of the Spanish Civil War, he was brutally murdered by fascist elements in Granada, his body thrown into an unmarked mass grave.” Like all book blurbs these day, the entire exhibition was haunting. I think this was due to the surreal portraits he created and his enthusiasm and longing for the city mixed with his unfortunate and brutal death. If you’re able to see it, go immediately before the exhibition closes!

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5 comments

    1. I haven’t read the new revised edition but would love to get my hands on it. I’ve read some of Lorca’s poems from “Poet in New York” and they are so imaginative, lively, and original.

      Since you unfortunately can’t make it to the exhibition, when you have a chunk of time, I really do recommend looking through the Lorca in NY website. It has loads of info from the exhibition including photos. It was a treat to see his Columbia library card (the book nerd in me was over the moon).

      1. I haven’t read any Lorca poetry, but I’m now intrigued enough to pursue it. And I did check out the interactive map and, well, you were right — it’s addictive and I had to bolt out of it before I missed a deadline! I’ll go back when I have that chunk of time to look at the whole site.

      2. I haven’t read any Lorca poetry, but I’m now intrigued enough to pursue it. And I did check out the interactive map and, well, you were right — it’s addictive and I had to bolt out of it before I missed a deadline! I’ll go back when I have that chunk of time to look at the whole site.

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