Anne Carson’s black and white visage has been popping up a bit lately. Yesterday, I caught her on the front page of the New York Times website and now, today on the train, I was catching up on the double issue of New York magazine that included an article on Carson’s new book, Red Doc>.
Carson is one of those people who has slashes included in their profession: poet/translator/writer/professor. I really have a soft spot for The Beauty of the Husband, which can fall into the slashie category (is it a poem? a novel? what is it?). Carson, herself, subtitles this book “a fictional essay in 29 tangos.” Is it a dance routine? This book also begs to be reread (which I must do one of these days).
I am happy to see that Anne Carson has been popping up in national publications. With VIDA’s annual report out recently and the big hoopla about the recent NYmag spread on Philip Roth¹, I’ve been on hyper alert about the gender bias in publishing. So, on a normal day, I would probably just think. Anne Carson on the front of the Times website? Fantastic! A whole review (if flawed) of Anne Carson’s newest book in New York? Perfect! I’m just happy that a talented and not quite mainstream writer is getting some spotlight attention.
¹I’m totally on board anytime Alexander Portnoy feels the need to make love to his family’s liver dinner but this spread was a bit blah for my taste. A literary caucus…with James Franco! Come on. If you don’t have the time to read the whole spread, let me sum it up with one featured quote by Keith Gessen when asked if Roth is a misogynist, “Did Roth hate women? What does that mean? If you hated women, why would you spend all your time thinking about fucking them.” [end scene]