Category Archives: Writerly Musings

Acid Free Roundup

I’ve been pulled in a few too many directions as of late but I thought I would lay out what’s been happening recently and some of my to-do’s.

  1. New poem up at Translations of Dead German Poets.
  2. NO MORE BOOK REVIEWS! I swear this time. They take up too much of my free brain space. No more (well, at least not in the foreseeable future). A published book review really takes a lot of time. You have an initial draft, edits/back and forth with an editor, and also the time it took to read the book. My desire for my own writing and book choices certainly outranks that of publishing a measly review. Only books I have chosen for myself so be prepared for more write-ups for fiction coming soon
  3. Playing catch up on my favorite blogs. I’ve been a bit quiet lately. I’m not a big fan of the way that WordPress organizes the blogs I follow; plus I am sometimes negligent in pressing the ‘Follow’ button. I’ve always used Google Reader but now with its demise, I must find something new to organize everything. Suggestions greatly appreciated.
  4. Things I’m happy with: Writing! Yes, I’ve finally gotten some more words down on the page for a book I’m writing. This plot is a bit twisty, so may I share my new favorite virtual corkboard that helps me stay organized and it’s free? Definitely recommended. www.stixy.com/
  5. Even with all of this mind-stretching-in-different-directions, I still try to put up a few interesting writerly, bookish things on the ole Twitter feed even if I can’t get to the blog. www.twitter.com/AcidFreePulp

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Punch, or the London Charivari

I have just discovered this week that a personal favorite, Project Gutenberg, has many editions of Punch, or the London Charivari available for FREE! In addition to issues of the magazine, Project Gut also offers some of their books. In Mr. Punch’s Book of Love (subtitle: Being the Humours of Courtship and Matrimony),

Only recently we heard a gentleman telling a group of people in a hotel smoking-room that Mark Twain got a hundred pounds from Punch for writing that famous line, “I used your soap two years ago; since then I have used no other.”

Punch was a humor and satire magazine founded in 1841. According to Wikipedia, “Reflecting their satiric and humorous intent, the two editors took for their name and masthead the anarchic glove puppet, Mr. Punch, of Punch and Judy; the name also referred to a joke made early on about one of the magazine’s first editors, Lemon, that ‘punch is nothing without lemon.’”

The original illustrations are a nice treat to accompany the texts that Project Gut has collected. I love to scroll through old political cartoons (don’t get me going on a collection of Boss Tweed & Tammany Hall cartoons; the hours will pass by).

Yet again, I have stumbled upon something new which will ultimately distract me from being productive in one way or another!

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We Shall Not Compromise!

I suppose this can be considered a sister to yesterday’s post (I Will Not Pay You To Read My Story). Since the end of December, I have been in a back and forth with a quarterly literary journal. They asked for a story which I happily offered and publication was agreed upon. I hadn’t heard much back but my contact at the journal was looking into it and he was nothing but helpful. He finally heard back from the editors above him and two or three (the number escapes me at the moment) sent some comments and suggestions back. I agreed with some and vetoed others and I sent a second draft back. It wasn’t any heavy lifting and they had made a couple of good points. We were still waiting back for the last editor’s comments.

Let me sidetrack for a moment and say: I am skeptical of journal editors who engage in far too much editingBy that I mean, in regards to literary magazines and journals there should only be light editing when necessary. Editors should be supportive and want to work with you and publish your work in its finest form. Everyone should shine. 

Now, back to our story. My helpful and attentive contact was trying to hear back from the final editor but he was having trouble contacting her. As a reminder, I was asked in December and now it is March. I had not concerned myself too much because I knew it would get done. The editors seemed placated. The other day, I finally received the hold-out’s edits. I started to look through them. She immediately wanted to re-title it with far worse titles (this is always a red flag!!).  Her line edits were terrible and then I realized she clearly had never read the revised addition and was commenting on an old draft. I stopped reading.

With the exception of my contact, this gaggle of editors was a complete horror show! They were completely unprofessional and their comments, quite frankly, were rubbish (which is unfortunate because this is a well-regarded journal). I suppose my point is, it doesn’t matter how far you are along with your writing and/or publishing career, you should not have to compromise what you think is right or you are comfortable with. You should not have to change your story or poem or essay to accommodate a group of unprofessional knuckleheads. Send your writing some place else where they aren’t running a dog and pony show. I have had plenty of wonderful experiences with editors who offer constructive feedback and edits. Remember, it’s never a good sign if they are hard to reach, unprofessional, trying to chop up your story, etc. YOU CAN ALWAYS TAKE A SUBMISSION BACK!

I have grappled with the idea of posting my email to them. I will not name names out of decorum even though I would never again recommend this publication to a single friend of mine. I hope by including this email, it can remind others in similar predicaments that they don’t have to stand for crummy editors but do remember that you should not burn bridges. Don’t roll over but do let them know what is problematic. Take back your story immediately and send it some place else.

Okay, look, I’m annoyed but please keep in mind that my annoyance is not with you at all. I already sent back edits which this person clearly did not read. I am disregarding all of her edits including wanting to change the title. The title shall not be changed. She can refer to the draft I last sent you if she would like to notate that. I don’t mind doing a little bit of house cleaning (some of which I definitely agreed with in that previous round; they made good points which I had already been thinking of). I have never worked with a journal/magazine/publisher that demanded so many edits from a short story (and an extremely short story to boot). So with that said, they can take it as is with what I sent the other time or pass. I haven’t had this much rigmarole with editors before…I don’t have time for unprofessionalism.

p.s. and they should know better than to ask a writer to change a title unless it’s a story about getting my period and I’ve titled it “Crimson Tide.” 

 

**Just as a disclaimer, I personally know my contact, so the post script–meant in all seriousness to this particular gaggle of editors–might only be appropriate because of my aforementioned friendship with the contact.**

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I Will Not Pay You To Read My Story

I am extremely adamant about not submitting my writing to any publication that requires a reader’s fee. 1) There are plenty of wonderful journals, magazines, and anthologies that accept submissions sans money and 2) I should not be paying anyone to read my writing. Like many others in the arts and humanities fields, writers are grossly underpaid or not paid at all (which is more frequently the case). As a publisher, it’s your choice to run a publication which means it’s your responsibility to find funding (whether it’s through grants, patrons, or your own stockpile of basement cash). Paying for a finished journal itself is, of course, acceptable, but I think the concept of a reader’s fee is a crying shame.

I recently decided to conduct a little experiment. I submitted a story of mine to an anthology that required a fee. You paid it separately via PayPal so you are able to email them first and pay later. I did only the former and purposefully neglected the latter. I was informed twice about my lack of payment. I received the final email today: “Just a reminder: We’ve received your story but not your fee. If we don’t get it in the next week or so (before the deadline), we won’t be able to accept your submission.”

Which leads me to my subconscious dismissal of publications that only publish work by writers that have paid to have their writing appear there. It wasn’t until recently that what used to be subconscious had surfaced to the front of my mind. As a reader, I avoid such publications. Why do I want to read writing that someone paid to have placed? It could be entirely well-deserved of publication but the nasty business of reader’s fee has blemished it all for me. When a journal, magazine, or anthology puts out a call for submissions, it should be just that. “Hey! We’re looking for some great writing. Send it our way.” It should not be a palm greasing monetary transaction that excludes those who cannot afford to send cash-in-hand to every lame publication out there.

It is a real disappointment that writers in general are always being asked to work for free (although, there are moments when it could be acceptable–for example, certain non-profits). I think, in a way, it is even more of a travesty to make them pay for their own work as well as narrowing the pool of submitted work to choose from. Just remember, there are plenty of wonderful publishers who are looking for exciting, new writing and don’t charge you to submit. Now, paying writers for their work–that’s a whole other story.

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Anne Carson has been showing her face lately

Anne Carson’s black and white visage has been popping up a bit lately. Yesterday, I caught her on the front page of the New York Times website and now, today on the train, I was catching up on the double issue of New York magazine that included an article on Carson’s new book, Red Doc>.

Carson is one of those people who has slashes included in their profession: poet/translator/writer/professor. I really have a soft spot for The Beauty of the Husband, which can fall into the slashie category (is it a poem? a novel? what is it?). Carson, herself, subtitles this book “a fictional essay in 29 tangos.” Is it a dance routine? This book also begs to be reread (which I must do one of these days).

I am happy to see that Anne Carson has been popping up in national publications. With VIDA’s annual report out recently and the big hoopla about the recent NYmag spread on Philip Roth¹, I’ve been on hyper alert about the gender bias in publishing. So, on a normal day, I would probably just think. Anne Carson on the front of the Times website? Fantastic! A whole review (if flawed) of Anne Carson’s newest book in New York? Perfect! I’m just happy that a talented and not quite mainstream writer is getting some spotlight attention.
 
 
 
¹I’m totally on board anytime Alexander Portnoy feels the need to make love to his family’s liver dinner but this spread was a bit blah for my tasteA literary caucus…with James Franco! Come on. If you don’t have the time to read the whole spread, let me sum it up with one featured quote by Keith Gessen when asked if Roth is a misogynist, “Did Roth hate women? What does that mean? If you hated women, why would you spend all your time thinking about fucking them.”  [end scene]

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Let’s Make Up Some Words!

MP900303002I’m sure we can all remember learning in our high school English classes that Shakespeare invented somewhere in the ballpark of a gazillion words we still use to this day. Frugal, obscene, skim milk, zany just to name a few and we all cringe when someone uses catch-22 incorrectly. English is a great language for making up words and phrases (although, don’t tell that to the more uppity Strunk & White).

But besides Shakespeare, there are plenty of other wordsmiths out there creating many of our words. For example, NERD which is brought to you by Dr. Seuss from If I Ran the Zoo or CHORTLE from Lewis Carroll’s Through the Looking Glass. 

Dictionary.com has an interesting short slideshow with “nine novel English neologisms.”

dictionary.com

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Number 5 : Get This Blog Into Gear!

Bio PhotoIn keeping with #5 of last month’s post, A New Year for Acid Free Pulp, I’ve taken the plunge and signed up Acid Free Pulp for a Twitter account. My intention with this is to offer another venue in which to help people procrastinate find intriguing news and information about everything book related that I can offer. Just want to read the blog? That’s great! Perfect! I love having you but in addition to my regular blog posts, the new Twitter account will also act as a resource for interesting news articles as well as writing & publishing opportunities and events coming up that might not necessarily merit an entire blog post.

You can follow @AcidFreePulp.

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Oyster Pirate by day, Author by night

Or as the subtitle of this post should be: Day jobs of the aspiring writer. 

I find myself, like many people, in miserable unemployment and a frustrating job search. My mind keeps coming back to those lists that pop-up now and again about strange day jobs of the now famous. Some of the more well-known are Kafka’s employment with an insurance company which could easily be seen as a great influence in his writing or Stephen King, who was inspired to write Carrie while working as a janitor at a high school. Below, I have collected some of the more amusing.

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The Triumphant Return of Renata Adler’s Speedboat

speedboat You must read this book now. Right now. This very second (or on 19 March  when it is finally re-released).

I can offer no other reason for this book being out of print for so long than to say it has been one cruel cosmic joke. A couple of years ago, the National Book Critics Circle surveyed a group of authors and asked the question, which book would they like to see back in print? According to NBCC, many suggestions were offered but the resounding response was for Adler’s Speedboat. Board member, Mark Athitakis, described the book,

The narrator…appears to be coming apart, stalked by a sense of panic and a feeling that the world has become disordered. So the story feels like it’s come apart too—telephone conversations get tangled, the story leaps wildly from past to present, recollections of violence are muted while mundane party chatter becomes absurdly, wildly comic.

I once taught this to a small class of undergrads in the only class I have ever taught. I brought in a short excerpt for them to read. The class was titled, “The Unconventional,” and I hoped Speedboat would be an ideal example to show humor, plot construction, and character development. They sometimes were a quiet bunch but they adored this book and were let down when I told them that it was out of print (although, I’m sure it can be picked up from a used bookseller). It is a book that I constantly recommend and I am happy that the wonderful NYRB is putting this back into print.

Ed Park, the keeper of all books almost forgotten or underappreciated, once said of Speedboat,

[T]his is a book I’ve bought repeatedly and given away, in the hopes of expanding the cult.

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A New Year for Acid Free Pulp

Yes, I have been particularly scattered brain, lazy, anxious, procrastination-prone, etc. etc. Maybe not the best way to start off a new year? However, being on a pseudo-vacation for the next month, away from NYC, in a tropical environment, is an excuse, right?? I am not one to get into “New Year’s Resolutions,” but I do like the occasional stimulation, especially, when it comes to books and writing. So, for my much delayed post of the new year, I have created more of a list of things I hope that will help me focus and be a more productive and better writer.

  1. Read more literature from overseas. In the US, we have a huge publishing market, but, alas, only three percent of books published in the US are those in translation. We are quite anemic when it comes to foreign literature. If you have an suggestions, both contemporary & classic, please feel free to leave a rec in the comment section.
  2. Don’t spread yourself too thin. I have the unfortunate tendency of taking on too many projects. This can result in not finishing something one has started. Recently, I was given the advice of setting up a superfluous deadline and if I am no longer interested in the project, drop it and move on to something I am interested in and passionate about. Hopefully, this will help me focus and not waste my time.
  3. Let it be a fantastical year! Besides including foreign literature, I shall also try to read more fantasy, sci-fi, myth, fairy tale etc. I am working on a side project now that is very much in the genre realm with elements of the fantastic and sci-fi. A great blog that I look to for works of horror and fantasy is Multo (Ghost). There is always something good happening over there.
  4. Sayonara book reviewingWell, maybe not completely. Writing reviews professionally is really not an interest of mine. I do it more for the small amount of money it gives me to buy groceries. When you are a writer of no importance, you tend to take on projects you normally wouldn’t want to do for little to no money. Some people like book reviewing, but it’s just not for me. I’ll probably still pick up a book or two, but keep it to a minimum this year. It also can cut into my own work.
  5. Get this blog in to gear. For a chunk of last year, I was out of the country and traveling around. For the most part, I had no internet or reliable internet, so my posts count did drop severely. I hope I will be able to post more interesting things in the coming weeks. My write-ups have been a bit more scarce (whilst on vacationing I am always unmotivated to turn on a computer), but, hopefully, I can provide some more interesting topics to read and exciting books to share.

Well, here’s to a fantastic year at Acid Free Pulp. Enjoy!

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